Roni Size – Touching Down (2002)

Roni Size's first "solo record" after two as the head of the Reprazent collective comes at a curious time for drum'n'bass. After a long lull, when jungle was criticized (often rightly) as the refuge of antisocial listeners and an increasingly stale sound, a comeback led by a few surprising chart hits (from Shy FX and others) helped push club fans back into the music. Though it's a sure bet at least three or four tracks from Touching Down will get their spins in the sets of jungle's top DJs, there's not much room here for a crossover on the level of his 1997 record, New Forms. With no vocalists, no collaborators, not even a co-producer in sight (and obviously no Die or Krust or Suv in the credits), the album simply powers its way through 16 tracks of seamlessly mixed high-velocity drum'n'bass. True, there's barely a hook to be found ("At the Movies" and "Feel the Heat" are two great exceptions), but there's a bit of next-level programming in place to ease the way. (allmusic.com)

FLAC

Bigg Jus – Black Mamba Serums v2.0 (FLAC) (2004) + Japanese Edition (192KB/s)

Bigg Jus was a central member of the late 90s underground hip hop leaders Company Flow, a band that almost singlehandedly torched the pretensions of the likes of Puff Daddy, launched Rawkus and, for a brief moment, promised the dawning of a genuine new era of creativity in hip hop. After the group’s dissolution he went on to help set up the highly rated but short-lived Sub Verse Records and moved to Atlanta to establish their southern outpost.

I have got this one in Compact Disc. My copy contains a 192 mp3 Black Mamba Serums 

Japanese Edition

TRACKLIST 

NYC Color Designer 1:40 

Kingspitter 2:13 

Plantation Rhymes (Southern Hospitality Mix) 4:11 

The Fr8s 3:00 

Silver Back Mountain King 5:28 

I Triceratops 4:23 

The Story Entangles (The Under Flippage) 4:48 

You Must Be Sniffin 3:31 

Moss Pink Coats '99 3:38 

No Dessert Till You Finish Your Vegetables (Marq Spekt) 4:34 

Dedication To Peo '97 4:40 

Suburbian Nightmare Texas Size New World Order 4:09 

Say Goodbye

FLAC

This is the Japanese Version in mp3

1 It Luvs Me 

2 Heaveny Rivers 

3 Plantation Rhymes (Runaway Mix) 

4 Tongue Sandwich Tastes Good 

5 Dedication 2 Pray / Tenets Of The Elements 

6 Athena 

7 The Fr8's 

8 Dedication 2 Peo 

9 I Triceratops 

10 Gafflin' Whips (Dent Puller Version) 

11 Stop Gang Killing (Interlude) 

12 The Story Entangles Featuring Angel Donyel

13 Pipeline Transportation Of The Mind 

14 No Dessert Till You Finish Ya Vegetables Featuring Marq Spekt

15 Plantation Rhymes (Southern Hospitality Mix)

[Remixed And Flipped Lovely] DJ Gman 

16 Black Mamba Outro 

17 Moss Pink Coats Featuring  Angel Donyel

18 Dub Plate Dedication 2 Peo 

19 Dub Plate Pipeline 

20 Dub Plate Story Entangles 

21 Dub Plate Gafflin Whips 

22 Hector 205 Dedication 2 Pray Part 2 

23 Lockjaw Featuring Gerk

MP3

DJ Cam - Liquid Hip Hop (2004)

01 The Sound Of The Street (Intro) 2:07
02 6 Sense 4:08
03 Premier 3:30
04 Ghetto Supastar 4:05
05 The L 3:30
06 Espionage (DJCamstreetremix)
Vocals – Guru 3:23
07 Don Dada 3:25
08 Kalimba Groove 3:40
09 Liquid Hip Hop 3:12
10 Love Junkee (J Dilla Remix)
Remix – J Dilla
Vocals – Larry Blackmon 5:16
11 Comewithastring 3:56

FLAC

TTC - 3615 TTC (2006) APE

01|- Quand je Claque Des Doigts

02|- Paris, Paris

03|- Turbo

04|- (Pas la peine d'appeler je ne réponds pas au) Téléphone

05|- Travailler

06|- Cé Pou Vou

07|- Antenne 2

08|- J'ai le Son

09|- Frotte Ton C** Par Terre

10|- Strip Pour Moi

11|- Ambition

12|- Une Bande de Mecs Sympas

3615 FLAC

TTC - Bâtards Sensibles (2004) APE

01 - Ebisu rendez-vous
02 - Dans le club
03 - Le chant des hommes
04 - Du sang sur le dancefloor
05 - Catalogue
06 - J'ai pas sommeil
07 - Rap jeu
08 - Latest dance craze (feat. Busdriver & Radioinactive)
09 - Girlfriend
10 - Bâtard sensible
11 - Codéine
12 - Meet the new boss (feat. Out one)

Flâcards Sensibles

Information Society – Information Society (1988)

Software
What's On Your Mind (Pure Energy) 4:33
Tomorrow 4:08
Lay All Your Love On Me 3:39
Repetition 4:32
Walking Away 5:01
Hardware
Over The Sea 3:53
Attitude 4:11
Something In The Air 4:53
Running 7:41
Make It Funky 1:11

Warlord dropped their 'Hack' album few weeks ago at OuB, and since i had their 1988 CD, i decided to rip it. So here u go some Tommy Boy label Electro stuff 320 rip…

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TTC - Ceci N'est Pas Un Disque (2002) FLAC

TTC is a four member hip hop and electronic band from Paris, France. It is composed of MCs Tido Berman, Teki Latex and Cuizinier plus DJ Orgasmic. They were signed to Big Dada for their first LP Ceci N'est Pas Un Disque, the title of which referred to René Magritte's painting La trahison des images, which is captioned "Ceci n'est pas une pipe". The group has also collaborated with Modeselektor and Edward Ma (as edIT) multiple times.

01 - Nonscience

02 - (Je N'arrive Pas à) Danser

03 - De Pauvres Riches

04 - Teste Ta Compréhension

05 - Pas D'armure (ft. Dose One, Hi-Tek Le Receleur)

06 - Reconstitution

07 - Subway

08 - Pollutions (ft. La Caution)

09 - Soudaine Montée D'adrénaline Dans L'éloge (ft. James Delleck)

10 - Toi-même

11 - En Soulevant Le Couvercle (ft. Yarah Bravo)

12 - Elémentaire

/\/\/\/\/\/\/\/\_______________Ceci n'est pas du FLAC__/\/\

Secret Chiefs 3 - Book M (2001) FLAC

Secret Chiefs 3 (or SC3) is an instrumental rock group led by guitarist/composer Trey Spruance (formerly of Mr. Bungle and Faith No More). Their studio recordings and tours have featured different line-ups, as the group performs a wide range of musical styles including surf rock, Persian, Arab, Indian, death metal, film music, electronic music, and so various others.

01 - Knights of Damcar

02 - Hagia Sophia

03 - Vajra

04 - Ship of Fools (Stone of Exile)

05 - Horsemen of the Invisible

06 - Combat for the Angel

07 - Zulfiqar III

08 - Siege Perilous

09 - Dolorous Stroke

10 - Blaze of the Grail

11 - Lapsit Exillis

12 - Lapis Baitulous

13 - Safina

FLAC

DJ Spooky That Subliminal Kid – Rhythm Science: Excerpts And Allegories From The Sub Rosa Archives (2004)

Only Paul Miller is pretentious enough to attempt this: make a remix album of the entire Sub Rosa catalogue. If I had to guess what the Subliminal Kid’s favorite record label might be Sub Rosa comes to mind, as does the thought that Mr. Miller would categorically reject the notion of ‘favorites’ on wordy, theoretical grounds. Put myself in right context and I would do the same, but the dork in headphones at the end of the day still has his favorites. One of which is, in fact, Sub Rosa, and when I glanced at the contents of this mix disc my neurons pumped transmitters. To my slight disappointment the ‘mix’ in question ends up being something more of an academic list. Still, given my love of original material, I can’t dislike what amounts to forceful spin of the rolodex that is my brain. 

I’m being vague. The selections here amount to nothing less than a roll call of twentieth century experimental music and literature. A roll call as complete as you could hope to fit in eighty minutes and still have the results be comprehensible. Roughly two camps of music emerge: drum-n-bass/electronica (e.g. Scanner, Bill Laswell, Mouse On Mars) and snobby white person improv/20th and 21st century ‘classical’ (e.g. David Shea, David Toop, Morton Feldman), with a few notable excursions into world music and hip-hop. In other words, anything a pagan spirit can shake a stick at. Literary contributions are just as central as musical ones. A theme of this record could be that music and literature are one and the same. Bill Burroughs, Gertrude Stein, Antonin Artaud all make appearances. Sometimes it’s just spoken word. Other times it’s all music. More often than not two or three artists are layered together. At its best the musical sounds and the spoken words compliment each other. As is the case with Bill Laswell’s “Oscillations (Vedic’s Live Pop Remix)” mixed w/ Scanner’s “Biological Closure” + Freeform vs. Michael Mayer mixed w/ Kurt Schwitters’Ursonate. Yeah. 

But how do you fit a whole label catalogue on one album, especially one as intellectual and refined as Sub Rosa, and retain a meaningful listening experience? You don’t, but there are two approaches one can take towards a truncated synopsis: formless mash-up or telephone phonebook stricture. Miller opts for stricture. We’re treated to some beats, or a minimalist permutation (usually on a tuned percussion instrument), and then a vocal clip. It’s quite dry and rather routine. Perhaps Sub Rosa should give this disc away as a label sampler? Given Miller’s back catalogue I know he’s far more capable than just fading from one record to another.

Besides, the literary selections are the things that really tickle my fancy. I own all the musical selections (or things that sound like them), but I don’t own any original source recordings of Gertrude Stein, James Joyce, or e.e. cummings. The latter’s rendition of “Let’s From Some Loud Unworld’s Most Rightful Wrong” is haunting and up lifting to a key. Cummings’ voice gleams as if he’s phonetically annunciating a language he does comprehend, but whose pronunciation he has mastered. A most rightful wrong indeed. Even Patti Smith’s contribution, “Morning High,” is surprisingly coherent throughout its duration. Something she achieves rarely in her verse.

Music is the art form that helps me forget about life; poetry is the art form that makes me glad to be alive. Rhythm Science: two art history seminars and a year’s subscription to the Wire in one convenient tablet. Marcel Duchamp and Tibetan chant standard. It’s hard to go wrong. Stylusmagazine.com

FLAC

Various WORDSOUND – Made In Brasil (2006)

While baile funk has become a buzzword on the blogs and the bassment party scene and movements like tropicalismo are finally getting their due from audiences across Europe and America, Brasil’s many other contributions to the world of sound remain largely unknown. With an eye on what’s next, we wanted to investigate, and the result of our research is Made In Brasil (WSCD052). Once again, WordSound sets the record straight with this compilation of the newest beats coming out of Brazil (and none of it baile funk!). Across the board—from hip-hop and drum and bass, to dubwise and electronic styles—a tsunami of innovation and creativity is sweeping the land of sun, surf, and samba, and Made In Brasil captures the energy of this exploding scene. The Playaz: BNegao is an artist who can flow as easily to dubwise as he can to some good old Bronx-style boom bap. He has performed onstage in Rio, in fact, with none other than PUBLIC ENEMY. Digital Dubs are Brasil’s heavyweight dub champions--hands down--and MPC is their main man behind the boards. DJ Klos, who produced Sensational’s Natural Shine album (WSCD044), is the prodigal son, who finally returned home to Brasil after 15 years in Brooklyn. Maga Bo, on the other hand, is the American expat, who’s set up shop in Rio. Together with his partner Filastine, they tap Brasil’s natural sonic resources (like the berimbau) with their group Sonar Calibrado. Dom Negrone and Quinto Andar are two mainstays of Rio’s underground rap scene, always on the grind. And Anastacias, is a hardcore rap trio from the south (Port Allegre) who reps lovely for the ladies. Meanwhile, Mamelo Sound Systen, the only group here repping Sao Paulo, are currently at work on a new album with none other than WordSound producer Scotty Hard. Hard teams with Lucio Maia (of the popular rock group Nacion Zumbi) in another group, Maquinado, while his Brasilian doppelganger Kassin from the group Domenico+2 contributes the closing track. Sure, you might not have heard of any of these artists, but they are rising stars, ready to make their impact on the outernational scene. As our catalog attests, WordSound has always been on the forefront of the global beat fusion scene, and this latest salvo—our first new release in over a year—continues in our commitment to represent the best in worldsound! While others jump on flavor-of-the-minute trends and the hype, we blaze our own trail and dare the rest to follow. So if you’re baile funked out or just looking for something new, we definitely have something for you!

1 BNegão - No Hay
2 Maga Bo - Cabexa Voar
3 Ramos - Ambulante
4 DJ Klos - Niteroi Freestyle
5 MPC - Tambozao Rock
6 BNegão - Seletores De Frequencia
7 Dom Negrone - O Povo Q Vibra
8 Anastacias - Kabeca No Lugar
9 DJ Klos - E Drums
10 Sonar Calibrado - Respeitar A Bateria
11 Mamelo Sound System - Liri Sista
12 Quinto Andar - Ritmo Do Nosso Pais
13 Digital Dubs - Arrego
14 Maquinado - Sutura
15 Domenico + 2 - Telepata 

FLAC

WordSound is not a record label in the traditional sense. They are not concerned with hitting the charts, breaking groups, or making hits. WordSound is a guerilla think tank banded together for the purpose of continual creativity...

WordSound was started to harness the energy of the underground--those creators whose radical approach to the word, sound, and vision has been suppressed by the domination of the corporate overlord.

They are here to provide the people with a true alternative to the commercialized arena, and hijack institutions that choke free expression....

Their name comes from the Rastafarian expression: "Wordsound have power," which acknowledges the spiritual energy emanating from the combination of words and sounds, language and rhythm, text and ambience. WordSound is the word of sound--how the music speaks to us subliminally, and what it says...

Because all of their projects are completely produced, directed, and financed by creators, not businessmen, they retain total control over their creations. Only in this way can they unite the diverse strands of the past and bring forth an unadulterated vision of what lies ahead. WordSound represents the world of sound in constant elevation....

Neil Landstrumm - Brown By August (1995)

1 Shuttlecock 6:14 

2 DX Serve 3:57 

3 Index Revisited 4:43 

4 Sibling Rivalry (Brother Landstrumm-Sister Tarrida Mix) 4:23 

5 Shake The Hog

Vocals – Skipjack Class 4:44 

6 Custard Traxx 5:14 

7 Finnish Deception 4:49 

8 Home Delivery 5:15 

9 Squeeze 4:48 

10 Peer Inpressions 5:33 

11 She-ra Extra Speaker Pop 4:51

FLAC

Based in Edinburgh, Scotland, Neil Landstrumm has played upon the verge of experimental techno music, a form no less innovative though its steady beat has been perceived as having little room for intelligent musicians. Influenced by the Sheffield school of industrial bleep techno pioneered by LFO, Landstrumm is also respectful of colleague Cristian Vogel, who more than shares his tendencies toward the obtuse. Landstrumm began producing in the early '90s within a variety of groups, but began solo production in 1993. He met Vogel one year later while DJing at Edinburgh's Sativa club, and released a single for Vogel's Mosquito label; the duo also combined for several EPs recorded as Blue Arsed Fly. Landstrumm began recording for Peacefrog Records through Vogel's connection to Luke Slater, and released his first album Brown for August on Peacefrog in 1995. Increasingly splitting production chores with occasional partner Tobias Schmidt -- who records on his own as well -- he released his second LP, Understanding Disinformation, in 1996 for Berlin's sympathetic Tresor label. Landstrumm's formation of the Scandinavia label that year took up much of his time, with the release of solid singles by Adam X, Stephen Brown and others; nevertheless, in 1997 he managed to issue another full-length, Bedrooms and Cities. Though Pro Audio followed just one year later, Landstrumm took some time off to work on his own label (Scandinavia) and on a series of projects with MTV and video-game developers. Finally, 2001 brought another Tresor LP, She Took a Bullet Meant for Me.

Beastie Boys Feat. Santigold – Don’t Play No Game That I Can’t Win Rmx EP (2011)

01. Don’t Play No Game That I Can’t Win (Edit) 2:51
02. Don’t Play No Game That I Can’t Win (Sebastian Rmx) 3:27
03. Don’t Play No Game That I Can’t Win (Bangladesh Rmx) 4:12
04. Don’t Play No Game That I Can’t Win (Major Lazer Beastie Rmx Edition) 4:04
05. Don’t Play No Game That I Can’t Win (K. Flay) 3:32
06. Don’t Play No Game That I Can’t Win (Z-Trip’s Evil Twin Rmx) 4:13
07. Don’t Play No Game That I Can’t Win (Acapella – Make Your Own Rmx) 4:05

320

Blue Daisy - 3rd Degree EP (2011)

Black Acre bring it raw and exclusive with three badboy Blue Daisy tracks on a LTD edition vinyl press. Frontside, '3rd Degree HipHop' is a major banger, dispensing turbo-charged synthline weight and spine-snapping breakbeats in true 2011 style. Few can test this. Flipside, 'Status Off Air' drops the tempo but still rides with those exhilarating synth sounds, while 'Kill A DJ' cold crushes the beat for slow-motion metallic head-bangers effect. Deadly wax, RIYL Illum Sphere, Lorn, Eprom etc.

01. 3rd Degree Hip Hop

02. Status Off Air

03. Kill A DJ

320