heavy d

Tuesday, 1 November 2011

Das EFX – The Very Best Of Das EFX (2001)

Cuando un grupo saca un recopilatorio
es señal de que se les acaba la vida discografica

y como podemos ver en la portada
el edificio que esta detras de Das Efx

debe de ser su compañia de discos.
y por el gesto de la portada

les acaban de dar la noticia
de que estan en paro!!
Bromas aparte...

Todos sabemos que la promoción es fundamental

para vender y que la compañia
de discos te puede apoyar mas o menos.

y el conjunto de todo,
me refiero a una buena portada, buenas colaboraciones

el pagar a musicos que te respalden
para que tu material tenga otro nivel es fundamental

y muchas veces decimos su segundo lp
me gusta mas que su tercero, por ejemplo.

sin pensar cual es el papel
que juega la compañia tras todo esto.

En fin son los grupos un producto de las compañias? YaY.

No todo lo que brilla es oro.

(Revision por Phlashback)

FLAC EFX

Cнιcк Cοяεα – My Spαиιsн Hεαяt (1976,RE 2000)

Arranged ByPiano [Acoustic, Fender] Synthesizer [Moog 15, Mini-moog, Arp Odessy, Polymoog] Organ [Yamaha] Handclaps Producer Chick Corea
Bass [Acoustic] Stanley Clarke (tracks: 2, 6, 8, 13)
Composed By Chick Corea (tracks: 1 to 5, 7 to 19)
Drums Steve Gadd (tracks: 1, 5, 7-8, 10, 12 - 14, 16)
Engineer Bernie Kirsh
Mastered By Bob Ludwig
Percussion Don Alias (tracks: 1, 5, 7-8, 10, 12 - 14, 16)
Strings Arriaga Quartet (tracks: 3, 13 ,16)
Trombone Ron Moss (tracks: 1, 5 13, 16)
Trumpet John Rosenberg (tracks: 1, 5 13, 16) Stuart Blumberg (tracks: 1, 5 13, 16)
Trumpet [Lead] – John Thomas (tracks: 1, 5 13, 16)
Vocals, Choir Gayle Moran (tracks: 1, 4, 7)

High-resolution 96 kHz 24-Bit digital transfer.

TRACKLIST

1 Love Castle 4:46
2 The Gardens 3:12
3 Day Danse 4:27
4 My Spanish Heart 1:38
5 Night Streets 6:02
6 The Hilltop 6:16
7 The Sky 4:58
8 Wind Danse 4:55
9 Armando's Rhumba 5:19
10 Prelude To El Bozo 1:34
11 El Bozo, Part I 2:52
12 El Bozo, Part II 2:04
13 El Bozo, Part III 4:59
14 Spanish Fantasy, Part I 6:06
15 Spanish Fantasy, Part II 5:15
16 Spanish Fantasy, Part III 3:06
17 Spanish Fantasy, Part IV 5:06
bonus track:
18 The Clouds 4:33

FLAC

Chick Corea, es un pianista singular dada su formación musical simultanea entre el jazz y la música clásica. Se introdujo en los ambientes profesionales a mediados de los años sesenta de la mano de los percusionistas, Mongo Santamaría o Willie Bobo y guiado por su pasión por la música latina, acompañó a numerosas figuras del momento como Cal Tjader, Stan Getz o Woody Show. Su participación en el disco conceptual del "jazz rock" de Miles Davis: "Bitches Brew" le reportó enormes beneficios en el aspecto musical y de popularidad y ello le animó a emprender una carrera en solitario que le llevaría a terrenos musicalmente insospechados.

Su primera grabación "Piano Improvisación" para el sello ECM ya dejó mostradas sus cartas y su capacidad para tocar jazz moderno. Formo el grupo "Return to Forever" con el que se situó en la estela de la fusión del jazz con la bossa nova ya explorada con éxito por el saxofonista Stan Getz. Sus dúos con los pianistas, Herbie Hancock, Keith Jarrett o Friedrick Gulda; sus incursiones esporádicas en la música europea de la mano de Roy Haynes, Gary Peacock o Michael Brecker, hasta llegar a las actuales experiencias eléctricas con su "Electrick Band" o la más actual "Akoustic Band" son muestras del camino recorrido por este extraordinario pianista, referencia indiscutible del jazz moderno y con una capacidad indiscutible para atraerse a un publico heterogéneo mas allá de las fronteras del jazz. En 1968, grabó para Blue Note su trabajo mas logrado en las orillas del jazz con su álbum: "Now He Sings, Now He Sobs" y en el se resume la carrera de este gran pianista. Un disco y una carrera caleidoscópica

Dirty Rotten Imbeciles – Thrash Zone (1989)

FLAC

D.R.I. (aka Dirty Rotten Imbeciles) were one of the first bands to fuse hardcore punk with thrash metal, along with Suicidal Tendencies and Corrosion of Conformity. Starting off as a speedy, straight-ahead punk band, they gradually mixed more elements of heavy metal into their sound; as they did so, their songs got longer and featured more sections and more variety in tempo. D.R.I.managed the then-rare feat of crossing over to metal audiences while retaining their skatepunk and hardcore fan bases -- they had something for all those audiences to love (or hate). Vocalist Kurt Brecht and guitarist Spike Cassidy were the two constants throughout the band's frequent lineup shifts, and kept them going for well over a decade.

D.R.I. were formed in Houston, TX, in May 1982, evolving out of a defunct hardcore band called the Suburbanites. Singer Kurt Brecht, drummer Eric Brecht (his brother), and bassist Dennis Johnson had all played in that outfit, and with new guitarist Spike Cassidy in tow, they renamed themselves Dirty Rotten Imbeciles, after a frequent insult from the Brechts' father (who objected vehemently to their rehearsals). The band was soon performing live around Houston, and before the end of the year, they issued a 22-song debut, Dirty Rotten EP, on their own Rotten label. Pressed in limited quantities, it was reissued as a 12" LP in 1983, appropriately retitled Dirty Rotten LP. The wider exposure for this version helped make the group's name in the punk underground, and after a supporting tour that year, they relocated to San Francisco.

Me and Kurt Brecht

The going was rough at first, and bassist Johnson quit to return home to Houston. He was replaced by Sebastian Amok for a tour with the Dead Kennedys, after which Amok was in turn replaced by Josh Pappé for the 1984 EP Violent Pacification. Eric Brecht also left the band later that year to get married; he would soon join Hirax. In the meantime, D.R.I. replaced him with Felix Griffin. During the recording of the band's second album, 1985's Dealing With It, Pappé took a leave of absence to deal with a drug problem. Mikey Offender, of the Offenders, filled in for him during the remainder of the sessions, and the album was released on the Death label. With Hirax's help, D.R.I. scored a deal with Metal Blade, and a substantial buzz built around the group, especially when Slayer drummer Dave Lombardo praised them in an interview.

With Rob Rampy

D.R.I.'s Metal Blade debut arrived in 1987 in the form of the boundary-blurring Crossover, whose title made their punk-metal fusion ambitions crystal clear. Their songs were growing from short bursts of speed into full-fledged, multisectioned compositions, and their unification of the two genres was the most seamless of their career. On the 1988 follow-up, 4 of a Kind, the metal influences began to predominate, even if the band's hardcore roots were still audible. Buoyed by the video for "Suit and Tie Guy," 4 of a Kind became the first D.R.I. album to make the national charts. The following year, Pappé accepted an offer to join Gang Green, and was replaced in D.R.I. by John Menor, formerly of Mantas. Menor made his debut on 1989's Thrash Zone, the band's most metallic offering yet, and one that was also widely acclaimed among their best. "Beneath the Wheel" and "Abduction" landed some airplay on MTV, and the album became their second straight to chart.

With Harald Oimoen

Thrash Zone proved to be the band's final effort for Metal Blade, however, and Felix Griffin departed in 1990, effectively bringing D.R.I.'s most successful period to a close. After a couple of short-lived replacements, Griffin's slot was filled by Rob Rampy IV, and Spike Cassidy revived the band's Rotten label to release 1992's Definition. By this time, the alternative explosion had substantially reduced the audience for thrash, and Definition accordingly looked back on the band's punk roots; still, much of their old audience had evaporated. After recording the late-1992 gig that was eventually released as the Live album, Menor left the band and was replaced by Chumly Porter. Porter made his debut on the 1995 studio set Full Speed Ahead, and the band spent the next few years touring, even if there was no new product to speak of. Porter left in 1999 and was replaced by Harald Oimoen, who helped continue D.R.I.'s road-warrior existence. (review/allmusic)

Afrika Bambaataa – Eastside (2003)

CD1___________________________________________

1.01 Herbie Hancock – Rockit 3:45
1.02 Sugarhill Gang – Eighth Wonder 5:08
1.03 Grandmaster Flash & The Furious Five – Freedom 5:07
1.04 Trouble Funk – Drop The Bomb 4:19
1.05 Afrika Bambaataa & Family – Funk You! 3:50
1.06 Run-DMC – Peter Piper 3:25
1.07 Treacherous Three – Yes We Can-Can 5:12
1.08 45 King, The – The 900 Number 3:04
1.09 Aleem – Release Yourself 4:47
1.10 Eric B. & Rakim – I Know You Got Soul 4:47
1.11 Schoolly D – Saturday Night 5:20
1.12 Boogie Down Productions – My Philosophy (LP Version) 4:05
1.13 Guy – Teddy's Jam 4:24
1.14 Ultramagnetic MC's – Ego Tripping 3:28
1.15 Kurtis Blow – If I Ruled The World 3:56
1.16 Salt 'N' Pepa – Tramp 3:35
1.17 P.M. Dawn – Set Adrift On Memory Bliss 3:57

CD2___________________________________________

2.01 Black Sheep – The Choice Is Yours 3:26
2.02 A Tribe Called Quest – Scenario (LP Version) 4:14
2.03 KRS-One – Black Cop 3:02
2.04 Wu-Tang Clan – Wu-Tang Clan Ain't Nuthing Ta F' Wit 3:40
2.05 Nas – N.Y. State Of Mind 4:55
2.06 Father MC – Treat Them Like They Want To Be Treated 5:53
2.07 Lost Boyz – Music Makes Me High 4:34
2.08 DJ Kool – Let Me Clear My Throat 4:50
2.09 Mobb Deep – Hell On Earth (Front Lines) 4:38
2.10 Whodini – Haunted House Of Rock 3:49
2.11 Jay-Z – Hard Knock Life (Ghetto Anthem) 4:02
2.12 OutKast – Ms. Jackson 3:37
2.13 Bubba Sparxxx – Ugly 4:29
2.14 Erick Sermon – I'm Hot (Radio Edit) (Dirty Version) 3:46
2.15 Mr. Cheeks – Lights, Camera, Action 4:23
2.16 Petey Pablo – I Told Ya'll (Album Version) 4:20
2.17 Cee-Lo – Gettin' Grown (Album Version) 4:12
2.18 Clipse – Grindin' 4:26

CD1 FLAC

CD2 FLAC

320x2CD